WEBVTT
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Every story has a beginning, but not everyone has an ending.
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In the shadows of headlines and buried police reports lay
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the voices of the missing, the murdered, and the forgotten,
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waiting to be heard and have their stories told. This
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is The Book of the Dead, a true crime podcast
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where we remember forgotten victims of heinous crimes, reopen cold cases,
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ree visit haunting disappearances, and uncover the truths buried beneath
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the years of silence. I'm your host, Courtney Liso, and
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every week we turn to another chapter, one victim, one mystery,
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one step closer to justice. Brought to you by Dark
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Cast Network indie Podcasts with a Twist. Hello, Hello, Welcome
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to the next chapter in the Book of the Dead.
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With me today I have a very special guest. Mark
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Pinski is a journalist of over fifty years working for
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countless publications and newspapers like The Orlando Sentinel, The New
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York and LA Times, and USA Today, covering everything from religion, politics,
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racial issues, and explosive true crime cases that include Ted Bundy.
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He is also an author, writing six nonfiction books, like
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The Gospel according to the Simpsons and The Gospel according
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to Disney Mark is with me today to discuss the
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case that has followed him for the last fifty years,
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so much so that he wrote the book on it,
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Met Around the Mountain, The Murder of Nancy Morgan's spans
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Mark his own investigation into the murder of twenty four
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year old Vista worker Nancy Morgan, who was found raped
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and murdered in June of nineteen seventy in Madison County,
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North Carolina, hindered by a less than competent investigation, confusion
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on jurisdiction, as well as political corruption. Nancy Morgan's murder
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was a crime that North Carolina tried for decades to forget. Mark,
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Thank you so much for joining me today.
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Thanks for having me, Courtney.
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I want to start at the beginning. What was it
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about Nancy's case that drew you in while you were
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a young journalist at Duke University and what kept you
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so dedicated to that investigation for five decades.
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Well, in nineteen seventy I was working for the Duke
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University Chronicle. I had a column called The Readable Radical.
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I was very much politically involved in what was happening
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in the late sixties and then into the early seventies.
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When I opened the newspaper that day and June and
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saw that Nancy Morgan's body had been discovered up in
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the mountains, it struck me personally. The more I read
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about her, the more I felt she was like me
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in some senses, and many of my friends in other senses.
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She was a federal anti poverty worker working for an
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organization called VISTA, which stood for Volunteers in Service to America,
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and as it happened, not surprisingly, several of my friends,
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maybe half a dozen of them at the time of
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the killing, were already in VISTA. So I took it
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personally as an individual, but I also took it personally
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because my friends were in similar situations doing what she
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was doing, and in some cases somewhat risky. When you
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challenge the status quo, you run a certain risk. Usually
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it's minor, but sometimes it's not mine. In her case,
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it wasn't minor, and so I ripped out the article
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about her body being found, a long takeout on her life,
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and started to file and just said Nancy Morgan on it.
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And I didn't know at that time. I was only,
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you know, a college newspaper guy, and I didn't know
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where it would end, but it just grabbed hold of me.
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And the years that followed, whenever there was a development,
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I would add that to my file. And I hadn't
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reached any status at that point as a journalist, so
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I didn't know where I would take it. And as
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time passed, I got a journalist's degree from Columbia University
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and began stringing from North Carolina for the New York Times.
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I also wrote for political magazines like The Nation and
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The Progressive. On the overlap between criminal cases and political causes.
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You covered other high profile cases like those of Ted
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Bundy and Jeffrey McDonald's. How did your experience with Nancy
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Morgan's case differ from those and what were some of
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the unique challenges you faced while covering it well?
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With Nancy Morgan. I was really learning my way. I
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didn't know anything about criminal justice, trial procedure like that,
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so I was kind of learning as learning by doing.
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I would be sent on cases. The Times would send
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me on a case, and I'd do what I could.
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I worked with a good friend of mine passed away
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now named Wayne King, very celebrated a reporter for the
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New York Times, and he was as he used to
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say at the Times, he was my Rabbi. He told
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me and taught me a lot of what I needed
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to know, And that all accelerated in nineteen seventy three
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when I read an article in the Rawley News and
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Observer but a young black woman who was accused of
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murdering her white jailer and breaking jail, and I knew
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that was that all the elements of a national story.
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So I wrote about it for the New York Times,
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and in those days stringers, which is what we were,
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freelancers didn't get a byline. So my articles appear but
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there was no byline, which was fine because I was
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also freelancing for other publications, and so there was no
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question about, you know, doubling up or making use of
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what I was working on. But in covering the joy
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and Little case from investigation through her murder trial to
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the aftermath, I learned a huge amount. And once I
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learned the ins and out, or began learning the ins
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and out of covering a sensational criminal trial, through about
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the subsequent nineteen seventies, I covered a lot more similar cases,
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almost all involving the allegation of racial injustice. Some became
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famous locally. Some not the Charlotte Three, the Wilmington ten,
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the Dawson five, There were a bunch of them. They
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usually involved young African Americans, mostly males, charged with murder
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of a white person, although in one of the cases
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I covered, the Tarboro Three, these three young black men
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faced the death penalty for a rape charge of a
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white woman and there was no murder. But in those
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years in the South, rape was a capital crime, and
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so each time I covered another case, I learned some
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more about how to do it. Sometimes I was kind
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of isolated because I was stringing for the Times, but
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I wasn't a staff writer for the time. So I
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would hear about a case and I go into by myself,
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into a small Southern town that the civil rights movement
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I had often passed by, and it was exciting but
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also a little scary as well. And in that decade
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I covered enough cases that although my initial involvement was
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political and ideological racial justice, I got so good at
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the job of covering these cases technically. And one of
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my focuses was the disproportioned application of the death penalty
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to black people in the South, and that led me
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to people who were lawyers who were experts on the
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death penalty. And one of them called me one day
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and it's also passed away a wonder lawyer, great lawyer
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named Millard Farmer. And he said, Mark, he had deep southern,
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deep southern Georgia AXI, and he said, would you be
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interested in interviewing Ted Bundy? I said, Millard, you know,
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thanks for calling me. It's really not my kind of case.
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But if you want me to do it, I'll do it.
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And so I, you know, rushed to all the sources
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I could find to you know, catch up on the
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case which I had not covered. And so he arranged it.
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And Bundy was then in jail in Tallahassee and I said,
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but Millard, how am I going to get in there?
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He said, well, we're a jacket and tie carron at
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Shay case and look white. They'll let you in. They
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won't even ask you who you are. They'll let you
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in with me. So I said, okay. The first time,
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he couldn't be with me, sent me with his assistant
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and they didn't let me in. And I was about
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to give up. Although I had pitched the National magazine
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on the case and they were very interested, and Millard said, no, no, no,
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don't give up. Come back with me and I'll get
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you in. And I made a second trip to Tallahassee,
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and sure enough we walked right in. And there had
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been an escape from that jail the week before. Some
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guys just walked away, and so the sheriff, which is
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a political office in Tallahassee, was very embarrassed by that.
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So Miller took me into Bundy's cell area, not in
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his cell. There was a I was on one side
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and he was on the cell side. And I walked in.
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And until that time, all the cases I covered involved
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people who were different from me. They were poor, they
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were black or brown. Sometimes there were a different gender.
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But I could always dissociate from the horrible stories we
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talked about by saying, oh, they're not like me. So
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I walk into Bundy's cell and softly lit, and he's
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listening to classical music on the public radio station, and
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I think, wait a second, what have I got myself into.
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It's a handsome guy. I knew by that time that
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he was a college graduate, had been to law school,
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was a middle class maybe Laura middle class guy. And
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Millard set the ground rules I couldn't ask him certain specifics,
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but we talked for about an hour, and it's got
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creepier and creepier because you have to understand this. When
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I was talking to this person, my thought was, this
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person could not have done these horrible things. You see
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him in a rational setting, but I knew that he had.
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So I knew somewhere in the folds of his cortex
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was this person being who did murder these thirty some women.
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But he was very cordial to me, and I said
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at the end, I said, Ted, you know, nobody's gonna
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believe that I'm here. And then we had this interview.
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He said, well, hand me your legal path. So I
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handed it through the bars, and at the bottom of
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my last page of notes, he wrote, Mark, thanks for
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interviewing me, Ted Bundy. Now, if I could find that
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eagle pad today, it would be worth something. So what
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happened I left. I wrote my magazine article was a
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big deal because it was the first interview with Bundy,
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so that launched me into a different level. I used
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to say that in the seventies I started out writing
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about defendants who were poor, black and innocent, and I
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got so good at it I was writing about defendants
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who were wealthy, whiting, and guilty, so it was kind of,
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you know, creepy to me. And at the in nineteen
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seventy nine, I was commuting between Bundy's trial in Miami
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and Greenbery doctor Jeffery McDonald's trial in Raleigh. But I
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kept collecting material on the Nancy Morgan case because it
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just wouldn't let me go. It's like, wherever I turned,
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it brought me back to Nancy Morgan. So in the
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early seventies, I couldn't support myself as a journalist, so
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I got other jobs. And one of the jobs I
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got was a researcher for a professor at the University
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of North Carolina Chapel Hill who was doing interviews for
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their oral history project. And these interviews would be with
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political figures and other figures, and the deal was they
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would be very frank and the interviews would not be
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released until after they died. And so my job, I
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was not good enough or didn't have a stature enough
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to actually do the interviews, but I was hired. You
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did the prep notes. And so there's something called the
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Southern Collection in Chapel Hill, and they have at that
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time They had files with clippings for hundreds of people,
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and so I had a list that I went through,
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and as it happened, go figure. I opened one that
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said Zino Ponder and I opened it up and it
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was about these two brothers, one a politician, the other sheriff,
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who had this ironclad political machine in Madison County, North Carolina,
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where they controlled pretty much everything. It said the county
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only had seventeen thousand people. I thought that myself, well, wait,
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if these guys have such a hold on the county
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and the county's only seventeen thousand people, and that's where
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Nancy Morgan was killed, maybe they had something to do
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with it, or at least maybe they knew about what happened,
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because the case was still open and unsolved. And so
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I copied all the clippings in that column and added
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to my Nancy Morgan.
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Thought, what was your process like gathering information on the
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Nancy Morgan case?
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So I continued to collect stuff until I became a
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staff writer for the Los Angeles Times, and I had
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a decent career there was there for about eleven years,
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and at that point, though, I thought I need to
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do something bigger. I was doing sort of the nicol
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and Die murders, which had no larger context, and I thought,
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you know, I'm doing well. I'm making decent money, I'm
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making a career, but it's not why I started this.
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And so it was a very helpful full librarian at
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the Times, and she helped me gather clips on the
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Nancy Morgan case because that was all pre internet. So
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she called around to libraries and newspaper morgues they called them,
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and she collected a lot of clips from me and
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I added that and that gave me much more material,
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and I had run out my string. I thought, at
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the La Times, I was doing okay, but I wasn't
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going to rise any higher. I realized that, and so
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I began looking around for another job that would bring
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me closer to the scene of the Nancy Morgan murder